Slamming Satan: or How I Got Dragged to Hell with a Smile on My Face.
I remembered the original Baen Books Heroes in Hell series, having enjoyed a number of those, and I was familiar with Janet Morris from her work in Thieves World™ and many of her own novels. But it had been years since I read those; and I’d been so long away from the fantasy genre that I had no idea that Heroes in Hell had continued on past the 4 or 5 volumes I had read in the 1980s and early 90s.
So I read Rogues in Hell, loved every word of it, wrote my review, and then bought the previous and first volume in the new 21st century series now published by Perseid Press, Lawyers in Hell. Now, while lost somewhere deep in the nether regions, I get contacted one fine day by none other than Janet Morris herself, who read my review, was very pleased with it, and liked the way I wrote it.
She then read my story of Dorgo the Dowser, “The Moonstones of Sor Lunarum” that I had posted on Black Gate, liked it, read more of the Dowser’s stories in my Mad Shadows: The Weird Tales of Dorgo the Dowser, and invited me to write a story for the then-forthcoming Dreamers in Hell.
To say that I was excited, flattered and a little intimidated would be understating it all. I was totally overwhelmed! Naturally, I said I would love to give it a try. But I waited. I took my time. What I wanted to do first was read and write a review of Dreamers in Hell, and then go back to re-read the first few Baen Books editions and read some of the stories in the other volumes, the ones I had not read.
Another year goes by and I still haven’t written a word. But I was in constant touch with Janet and her Hellions, as her band of Hell writers call themselves, and thoughts and ideas began to flow.
First, writing for Heroes in Hell is hard work: one needs to do a lot of research, because most of the characters in this Miltonian shared-universe are historical figures, figures of myth and legend, Biblical figures, and even some famous fictional characters – provided some link to an actual person can be found, such as the Dracula and Vlad Tepes connection.
So I hunkered down and did my homework, reading some history and biographies, researching things like demons, devils, angels, fallen angels, and the Hells of different cultures and religions. Not only was I developing a story, I was getting a wonderful education.
Now, the second thing about writing for Hell is that it made me “up my game.” The series is not only character-driven, it is allegorical, dramatic, poignant, high comedy and grim tragedy; it runs the gamut of genres and emotions. I was playing in the same park with some damned fine writers of imaginative literature, and something in the infernal nature of Hell demands and commands a writer to do the best he can, to go above and beyond what he/she has done before.
So I wrote for my first story for Hell, and it was published in Poets in Hell.
Hell is addictive. It’s an obsession. Hell has its rules, but what the rules do is force you to be more creative, to think outside the box: the rules are not restrictive, they are liberating. Once you pick your characters and start your research, you find things, you learn things you can use to make those characters live and breathe and jump off the page. Yeah, writing for Hell is hard work, but it’s also one helluva good time. I love every moment I spend in Hell – and I spend a lot of time there.
Since then I wrote another story, for Doctors in Hell, one that I'm especially proud of.
So there's a little something for everyone in the Heroes in Hell series: heroic fantasy and sword & sorcery, thrillers, horror, romance, touches of science fiction and steampunk – they’re all here.
And now we have the latest volume, Pirates in Hell. I have a rather long novella in this one, called The Pirates of Penance, starring a huge cast of famous and infamous people.
So come visit us in Hell and enjoy the company.