Copyright © 1973 by Dean R. Koontz. 192 pages. 95 cents.
Last
time out, I did a “look back” review of Koontz’s early 1970’s science-fiction
murder mystery, A Werewolf Among Us.
This time around, I’m looking at another of the genre mysteries he wrote early
in his career, The Haunted Earth. I
enjoyed it when I first read it in 1973, and I enjoyed it again, 42 years
later. For those of you who are familiar with Clifford D. Simak’s Out of Their Minds and The Goblin Reservation, as well as the
works of Ron Goulart, most notably his The
Chameleon Corps, Koontz’s The Haunted
Earth has much in common with those: wild imagination, fast-paced
narrative, interesting characters, and plenty of humor.
The premise is this: in the “future” year of 2000, Earth is visited by a race of Lovecraft-inspired, benevolent aliens called the Maseni. Not only were we introduced to these tentacle-wearing ETs, they brought with them their supernatural brothers. Furthermore, the Maseni showed us how to “release from bondage” our own mythological and supernatural entities. Thus, Mankind now shares the Earth with vampires, werewolves, minotaurs, dryads, trolls, etcetera, etcetera. All our myths, beliefs, legends and fairytales are real, and because Mankind created them, they look, sound and behave in accordance to our beliefs. To quote one Maseni character: “As you know, the supernatural is at the mercy of human creation, just as humanity is at the mercy of the spirits’ creation. It is a closed circle. God created us, yet we created God, sort of like your riddle: Which came first, the chicken or the egg?”
Get
the picture? I’m sure you do.
The
United Nations even drafted rules and regulations and contracts for all of us
to abide by, so we could live in peace and harmony. Not all of the supernatural
creatures are happy about their new freedom, however. Even a vampire is apt to
resent the interference when he’s stopped in mid-bite by the precise wording of
the Kolchak-Bliss Decision, which was handed down by the United Nations. We
learn just about everything we know about this future world, and this U.N
Decision in the opening scene.
We
first meet the main character, Jessie Black, a Private Eye hired by the husband
of Renee Cuyler to spy on one Count Slavek, a vampire. Slavek is in the act of
seducing Cuyler’s wife Renee, a most willing victim, when Blake interrupts him.
The Count can’t bite her until he reads her rights to her, and she fully understands
and agrees to what lies in store for her. Blake’s timely interruption (or
untimely interruption, depending on your point of view) ticks off Slavek,
making him Blake’s enemy, and the vampire will play a role later on in the story.
Here’s
a little backstory on Jessie Blake. (Could he perhaps the “inspiration” for
Laurel K. Hamilton’s own supernatural investigator, Anita Blake? Just musing
out loud.) Blake was bored with life and the same old, routine cases. But when
the Maseni came to Earth with their supernatural brethren and then introduced
us to our own supernatural kinfolk, his life did a 360 and became more
interesting, dealing with human/supernatural, human/alien, and
human/alien/supernatural affairs involving everything from robbery and blackmail,
to kidnapping and murder. Life was good again and Blake was one happy gumshoe.
Thus,
the intrepid Jessie Blake, Brutus the Hell Hound and the sexy Miss Helena agree
to investigate these murders, and they’re quickly shuttled off to the Maseni
homeworld.
*This retro-review originally appeared in Black Gate e-Magazine, 12/8/2015
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