In the Hot Seat: The Reviewer
Gets Grilled. An Interview with Fletcher Vredenburgh
Fletcher is no
stranger to the readers and fans of Black Gate. His articles and reviews are
not only well-written, insightful and entertaining, they are extremely popular,
as well. He is the “reviewer extraordinaire,” and his reviews have led me to
read many books. I trust his opinion and his taste in what makes for a good
novel. Fletcher is also one of the most voracious readers I have ever met; even
in my prime, when I was reading about 2 books a week, I couldn’t top him.
Tireless and energetic, Fletcher amazes me with his wonderful reviews, which
are also very well written. He is not a “book critic,” however, as you’ll find
out when you read my interview with him. He is a reviewer of books. A Master
Review Writer. I’m happy I met him through social media, proud to call him my
friend, and grateful to him for his great reviews of my books. So let’s begin,
shall we? Let’s see if we can find out what makes him tick, what he likes to
read and his whole process for reviewing a book.
So, my friend . . . why
don’t we start off with you telling us a little about yourself?
I’m a born and bred Staten
Islander, New York’s forgotten borough. I grew up in the local library, getting
my first library card at age five and my first legal job there at age fourteen.
I grew up in a house
surrounded by thousands of books, particularly sci-fi, fantasy, and history
(non-fiction). My parents, and the local librarian, Ms Herz, are responsible
for making me an obsessive reader. I blame them as much as I thank them.
At what age did you really start getting into reading? Did you
start off with reading comic books, children’s books, pulp magazines, etc?
As I said, I grew up in a
house packed with books and got my library card (an all access one) when I
turned five. My earliest memories of reading, outside of Dick and Jane, are of fairy tales, assorted children’s adventure
books, and kid’s comics (Richie Rich, Hot
Stuff the Little Devil, etc.).
We had a Folio Society
edition of the Grimm’s Fairy Tales
with really scary pictures that I was almost obsessed with. As I got older I
just grabbed whatever looked good. Both my parents read sci-fi and fantasy and
I soon gravitated to that. My dad was someone who should’ve been a history
teacher instead of a systems analyst. He had hundreds of history books (the
best of which sit on my shelves now), and I started looking at them when I was
pretty young, as well.
Why did you decide to start writing book reviews? Have you
written any fiction or non-fiction? If so, tell us about it. If not, do you
have plans to start writing? In what genres?
Six-plus years ago, I set
out to be a better writer. I always wanted to write, but never forced myself to
be disciplined. At the same time, I was getting back into swords & sorcery.
There was a ton of great, new stuff coming out — James Enge’s Morlock books,
Jason Waltz’s Return of the Sword
anthology, for example. I decided to put the two things together and just write
about books and a genre I really dig, and it’s worked out really well.
Surprisingly, people were interested in what I had to say. I became part of a
community of critics, commenters, and writers, dedicated to heroic fantasy.
Eventually, it led to me being asked by Black Gate’s editor, John O’Neill, to contribute to his
site.
I’ve tried my hand at
fiction, with little success. I suspect I lack the patience and work-ethic, and
probably talent, it demands. Nonetheless, I may try again.
What genres and/or literary style do enjoy reading the most?
I grew up reading only
sci-fi and fantasy. Today, I mostly read fantasy. For all sorts of reasons I
read almost no sci-fi anymore (though I did just buy Cixin Liu’s The Three-Body Problem). I also read a
fair amount of history (all sorts), crime, and horror. I also read some
literary fiction (man, I hate that term - all literature’s literary!). Right
now I’m making my way slowly through Ivan Goncharov’s Oblomov.
I’m a devourer of
magazines and newspapers. I still have print subscriptions to the NY Post and
the NY Times (talk about cognitive dissonance!). I also have four or five
magazine subscriptions going at any given time. My background is in public
administration and government, and as distanced as I am from that these days, I
still spend a lot of my time reading about politics and public affairs.
Short essays are my
favorite sort of non-fiction reading. If a writer can hook me in the first
paragraph or two, it doesn’t matter much the subject — geopolitics, theology,
government corruption — it’s all good.
What are some of your literary “guilty pleasures?”
I have no literary guilty
pleasures because I don’t believe any reading is guilty. Since we read for a
host of reasons — escape, insight, etc. — we all need different things to read
at different times. So, while I’ll probably never pick up a Harlequin-style
romance, I could never look down on someone who buys stacks of them in a
used-book store.
Besides the “entertainment factor,” what do you look for in a
book? What draws you to a certain book: Title? Subject matter? Characters?
I’ll hedge and say “It
depends.” Sometimes it’s for the strange beauty of the prose like Clark Ashton
Smith’s or Cordwainer Smith’s. Other times, like with Philip K. Dick, it’s for
the madness of their storytelling. Then there’re characters, such as in Glen
Cook’s Dread Empire series. So many
different things can attract me to a book.
Heck, I have a friend who
used to read certain books just because they had a DK Sweet cover, and I
totally got that. It’s all a question of mood, or timing. Or how cool the books
look.
What type of stories appeal to you most as a reader and
reviewer: plot- or action-driven, or character-driven? Or doesn’t it matter, as
long as the story grabs you?
I suppose I prefer
plot-driven fantasy. Even in a short story, I want some depth of background and
atmosphere to give resonance and meaning to the action. Action isn’t really a
requirement if those first two things are done well. There’s not a whole lot of
action in Karl Edward Wagner’s Kane story, “Undertow,” and it’s one of his
best.
When I write, I strive to make people feel. I write for the
heart, first, and the brain, second. Now . . . what type of books affect you
the most — stories that pack an emotional wallop? Or stories that are more
cerebral, stories that make you think?
I’ll stick with S&S,
and there I definitely want an emotional wallop. It can be fear, adventure,
even sorrow, but the story’s got to deliver. If cerebral is what I want, there
are plenty of other things I can read. When I’m reading swords & sorcery, I
want to feel the adventure and danger. S&S should drag me out of the
mundane world and shake me by the neck.
Touching back on the previous questions, name a few books you
found highly emotional, a few books you found to be extremely cerebral? And a
few books that you think found the perfect balance between the two?
Wow, that’s a tough one,
but I’ll try. Again, I’ll stick with fantasy and sci-fi, it’ll be too hard if I
don’t.
On the emotional side,
I’ll go with the original four books of Glen Cook’s Dread Empire series. Things he did to Mocker and company still
hurt thirty years later. There’s some real, gut-punching stuff in those books
that really stand out after all this time.
For the brainier side of
things, Larry Niven’s Known Space
books, especially Ringworld and Ringworld Engineers. His characters are
alright, but it’s in the realm of big, brash ideas that he excelled.
As for a great mix of the
two, well, I’ll say C.J Cherry’s Chanur
books. Space freighter captain Pyanfar Chanur is one of the best sci-fi heroes
I’ve read. She’s a dynamic character, roaring thru the stars, enmeshed in plots
that’ll leave you dizzy trying to follow them, and fighting space battles to
thwart threats to her race. At the same time, it’s one of the best hard SF
series, packed with discussions of physics and truly alien aliens.
What genre of fiction have you not yet read or written about? Are
there genres you aren’t interested in reading?
I’ll go back to romances.
I have no real interest in them, though I have read and enjoyed some Jane
Austen and the Bronte sisters. I do have fantasy romance by Carole McDonnell; Wind Follower, I’ve been meaning to give
a go. After that, nothing comes to mind.
Name a few of your favorite literary characters and tell us why
they are your favorites? Among my favorite literary characters are:
Margarita (Mikhail
Bulgakov’s The Master and Margarita):
She is the heart of this tale of the devil coming to 1920’s Moscow. She’s an
embodiment of true and self-sacrificing love.
Andrew Vanbergen (James
Blaylock’s The Last Coin): More than
a little self-deluding, a brain filled with half-assed schemes, and a wife he’s
not always deserving of, he reminds me of myself way more than I like to admit.
Captain Sam Vimes (Terry
Pratchett’s Discworld books): Vimes
is the toughest cop to ever walk the streets of Ahnk-Morpork, a city that could
swallow Lankhmar whole and grind its bones to flour. As a lifelong New Yorker
from generations of New Yorkers, I love Vimes’ total dedication to his city and
its people. It’s what I wish more New Yorkers were like. He’s funny as hell, to
boot
What are you reading now? What books are you looking forward to
reading in the future?
Right now I’m reading
Cixin Liu’s mind-blowing The Three-Body
Problem, M. John Harrison’s A Storm
of Wings, and Robin Waterfield’s Dividing
the Spoils: The War for Alexander the Great’s Empire. I’ve also got a
Charles Saunders’ story, “The Return of Sundiata,” and a new magazine, The Audient Void that I need to get to
in the next day or so.
I’m already looking
forward to the next two books in Liu’s trilogy, The Dark Forest and Death’s
End. I’m also itching to get at Jim Cornelius’ Warriors of the Wild Lands, a collection of pieces about a dozen
frontiers — a “volume of twelve bios of the most badass Frontier Partisans in
history, from North America to Africa.”
Your reviews are very in-depth. Tell us about your review
process, such as: Do you take notes? Highlight certain sentences, paragraphs or
whole sections of a book?
Thank you for calling them
in-depth. That’s my always my goal, but the reality for a lazy man like me,
getting a book read a reviewed in a week isn’t always easy.
When I read, I mark out
certain passages. It’s why I prefer reading e-books. It’s so much easier to
just highlight something with my finger instead of having to attach a dozen
post-it notes that are always falling out.
I try to understand where
the author’s coming from and where he or she hopes to take me. I’ll always give
the writer the benefit of the doubt. By which I mean, if they wanted to do X
and accomplished it, even if I don’t like X, I’ll give them credit for it.
Then I write. Sometimes,
it comes quickly and I crank out 1100 words (the average length of my reviews)
in a couple of hours, other times it takes a day or two (or three) to find the
right way to describe the book, what makes it work, and explain my reaction to
it. If I get it done fast, I go back over it to see if it makes sense.
The real secret to my
reviews is my editor; my wife Hallie. Each Monday night, she subjects my new
piece to close scrutiny. Since she’s not a big fantasy reader, so her editing
is really valuable for making sure it makes sense to anybody who reads it. When
something is illogical or expressed poorly, we go over it together until it’s
fixed. It can’t get pretty heated at times, and it’s worth every moment of it.
There’s a good bit of her writing in some of my reviews and they’re all the
better for it.
Since I see my role at
Black Gate as a promoter of the best in heroic fantasy (AND historic adventure,
and whimsical fantasy — see my reviews of James Blaylock and Jeffrey E.
Barlough for that last one) more than a critic, I avoid writing about books I
dislike. I don’t want to write mean things about writers. I appreciate the
effort that goes into writing even a bad book. I don’t need to denigrate their
work. The only writers I’ve been mean to are dead: Lin Carter and Sprague de
Camp — and neither one’s reputation is going to be effected by me.
I guess where I’m
toughest, and try to be a serious critic is in my monthly Short Story Roundup.
In addition to letting readers know what’s good and bad out there, I want to
engage in a serious investigation of each story. I want to get under the hood
and figure out what makes them run (or seize up), and where they fit into the
larger scheme of heroic fantasy. I hope I’m providing help to the authors by giving
one more round of feedback.
Even though short stories
are the heart of heroic fantasy, where it works best, it doesn’t get all that
much attention, so I try to do my part. I really need to thank John O’Neill for
a platform at Black Gate - thanx, John!
Thank you, Joe, for doing
this. Your essay How I Met Your Cimmerian
(and other Barbarian Swordsmen) and your loving enthusiasm for S&S had a substantial role in helping me find my own voice as a promoter of this stuff we love. It’s also where I was first hipped to Ted Rypel and his Gonji series so thank you for that as well.
https://www.blackgate.com/2012/07/06/how-i-met-your-cimmerian-and-other-barbarian-swordsmen/
You’re welcome, Fletcher . . . and thank you for your kind words and for reviewing not only my books, but the books of so many deserving authors. And thank you for taking the time to participate in my new “interview” program. This has been an interesting and most fascinating interview, and I appreciate it.
* * * * *
Fletcher and I both highly recommend T.C. Rypel's heroic fantasy, the Gonji series, which consists of The Deathwind Trilogy and two sequels:
Book One:
Red Blade From The East
You’re welcome, Fletcher . . . and thank you for your kind words and for reviewing not only my books, but the books of so many deserving authors. And thank you for taking the time to participate in my new “interview” program. This has been an interesting and most fascinating interview, and I appreciate it.
You can find Fletcher's wonderful book reviews and articles pretty much every Tuesday over at Black Gate online magazine.
You can also click here or doing a Search for Fletcher's reviews.
* * * * *
Fletcher and I both highly recommend T.C. Rypel's heroic fantasy, the Gonji series, which consists of The Deathwind Trilogy and two sequels:
Book One:
Red Blade From The East
Book Three:
Deathwind of Vedun
Fortress of Lost Worlds (Book Four)
A Hungering of Wolves
(Book Five)
And there's more on the way!
You can find out more about T.C.Rypel and his work by visiting his Amazon Author Page at:
https://www.amazon.com/T.C.-Rypel/e/B001O8K4JY/ref=sr_ntt_srch_lnk_1?qid=1489108893&sr=1-1
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